It should have an impact (two high profile figures addressing a sensitive issue in drama queen fashion) and defenitely a too homogenous academy that needs diversity badly, but crying wolf like he did is nothing new for him, something he done his entire career. His objective has allways been a me-me-me attitude aken to a kindergarten kid.
I think they should replace Chris Rock with Kanye West as host, and he can basically inject himself with an "imma let you finish..." speech after each whitey gets an award.
That said, I think there's a lot of ignorance about how these things have always worked. I've seen several articles citing that money and box office is a factor in Oscar selections when in fact it's the complete opposite. Steven Spielberg has notoriously felt blacklisted by the Academy while art films and other film projects of overwrought obscurity have typically dominated the award categories over the years. This is not new, but everybody in the media seems to ask like this phenomenon doesn't and has never existed.
And the fact is pics like
Straight Outta Compton make good bankroll and all, but it's no
Steel Magnolias nor
Terms of Endearment. Who are we kidding? Are we griping that Tyler Perry isn't ever going to win a deserving award now? Until black directors and actors make the kind of movies that black audiences avoid and yet appeal to auteur elitists who just so happen to be predominantly white, male Hollywood vets, it's a non-starter.
Have we honestly forgotten that Chuck D was ever born?
Whoah? Is that Ice Cube in dat?!?
And let's face it... awards be awards. I've always thought the Grammy Awards were the biggest irrelevant joke on the planet... awards given to aging artists 20 years past their prime while younger innovators are always overlooked unless, and unlike the Oscars, they made big bank with pop songs.
And there's also a kind of public ignorance about audiences relating to the people and the storytellers that they more strongly identify with. If black audiences want to see rap and hip hop set to film, more power to that. But you're not going to get some 60-year-old Jewish dude in West Hollywood identifying with it. Expecting that is even more ridiculous. Why else does a group like the Beastie Boys -- whom I adore (and hey, I'm white) -- have so many rabid followers in the likes of Ben Stiller, Sofia Coppola, etc. who would never dare show up to a Gucci Mane show? Is that racist? Or is that just following the path of Elvis in experiencing a stronger cultural relationship with an artist?
Is Richard Dreyfuss not fapping over
Creed any more racist than Ice Cube not fapping over
Terms of Endearment?
It's true that as long as the Academy is a bunch of old white dudes, they're going to most honor the work that a bunch of old white dudes can relate to. I like some of the conversations going about segregation and the pros and cons of a BET Awards, for example. But is it really better to pretend some professional industry association needs a racial, gender, and sexual orientation quota that must mirror the latest U.S. Census data on a regular basis? And why should that one academy be anointed as the end-all, be-all of professional acknowledgement in an industry?